This past April 9th, quite by coincidence, I was meeting with Sean, the director of photography, to go over the script for visual themes. We arrived at one scene that we agreed was the heart of the story, a scene in which Malek draws his frightened eight year old son out of hiding. Out of curiosity, I wanted to see if this scene was in the first draft, so I did a quick search and stumbled onto this date: April 9th, 2007.
It was two years to the day that the script was written.
The story was germinating for a long time. After Josh and I finished Her Music Led, our first little movie shot on film, we talked about possible inspirations for our next project. Eventually we mentioned Antigone [pictured above], a classic that always reminded me of my uncle's story. I related this story to Josh, as best as I could remember, and his eyes lit up. That was 2005.
Spring 2007 was my second semester at USC. I had a writing class with a wonderful professor, who required us to write every week either three one page treatments, or a ten page script. I decided to write my uncle's story, and I put together a treatment for the first assignment, but my professor refused to let me. I wasn't ready, he said. Maybe later, he said.
Grumble, grumble, grumble. But he was right. After a romantic comedy, two ancient period pieces, and a couple of bizarre experiments, I finally understood what he meant. He gave his permission, and I wrote the first draft of To Rest in Peace.
Which did have the scene between Malek and his son, almost word for word.
But Fawaz, think about how fun it would have been if we made Pyramus and Thisbe as a romantic comedy...?!
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